67,850 research outputs found

    How often do you wash your hair? design as disordering: everyday routines, human object theories, probes and sustainablity

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    New objects can create disorder in our lives particularly when we try to appropriate and make sense of newly developed products that do not fit our routines. Ultimately, through exploring objects' affordances, our relationship to them develops into a routinised practice we no longer reflect on them. Hair care is universal and (often) an ‘ordinary’ part of our daily routines. Our cleanliness routines consume resources and therefore are implicated in the issue of environmental sustainability. However, routines are complex and difficult to change when they are set in a culture of individual consumer choice. The disorder inherent in the process of appropriation raises the possibility that design might deliberately create a useful ‘disorder’ in routinised practices to facilitate sustainable strategies in everyday life. The paper proposes an approach of investigating routinised practices in relation to deliberately creating disorder in everyday routines and practice theory. Further, it outlines a pilot study that uses the designled method of 'probes' and considers its potentials in generating disorder. It identifies creative disorder in the process of designers developing the probes, participants interacting with them to finally designers receiving the results. Thinking about the process in terms of disorder is seen to be valuable in facilitating, applying and developing probes, not only to inspire the designer but also to sensitise the designer to private and intimate areas of everyday life such as hair care.</p

    Sarah Turner - eco-artist and designer through craft-based upcycling

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    Sarah Turner is an eco-artist and designer who practices craft-based upcycling with waste plastic bottles and cans to create lighting, sculpture and decorative home interior products. Since 1998, her enthusiasm, creativity and good will have allowed her to gain several high-profile client commissions and to win awards from design, innovation and business competitions. The aim of this portrait is to introduce Sarah’s work and shed light on the resources, knowledge and skills involved in her practice and on the barriers to and drivers for her craft-based upcycling. We consider that Sarah’s work could be one of the stepping stones for a shift towards more sustainable craft practice, both in the United Kingdom and beyond. By exploring the right ingredients for craft-based upcycling, barriers liable to be faced and key drivers that stimulate motivation, we hope that this portrait will inspire and attract more designers and makers to embed upcycling in their future practice

    Is there a semantic system for abstract words?

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    Two views on the semantics of concrete words are that their core mental representations are feature-based or are reconstructions of sensory experience. We argue that neither of these approaches is capable of representing the semantics of abstract words, which involve the representation of possibly hypothetical physical and mental states, the binding of entities within a structure, and the possible use of embedding (or recursion) in such structures. Brain based evidence in the form of dissociations between deficits related to concrete and abstract semantics corroborates the hypothesis. Neuroimaging evidence suggests that left lateral inferior frontal cortex supports those processes responsible for the representation of abstract words

    Investigation to identify paint coatings resistive to microorganism growth

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    All selected coatings contain nutrients that support microbial growth and survival. Incorporation of microbiocidal agents into coatings more susceptible to attack is recommended for improved inhibition of microorganism growth and for increased protection against deterioration of coatings by microorganisms
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